The characterisation of ‘Troy’ is deliberately laconic yet, when among people he likes, rates or otherwise admires then he can be prone to brief flights of fancy with his verbals …
“Sandbar. Of course. The omega. The answer. Tonight, I need more than ever before, to stare into the mess of Smith’s painting, let it spin my chamber to the Russian roulette of lost memories, and get roused by the carousel of foreign beers. Sophisticated. Architectural. Nuanced. Dynamite.”
Here’s the bar itself, standing out from the crowd on its island plot of red brick, metal and wood (courtesy Google maps, street view).